|
"While in Rome, I met a prominent American lawyer who has just embarked on learning to draw and paint. Her first formal training was in all places, France. ... She expressed concern about how her own style would develop and emerge when workshops such as this one often focus on the instructor's style. This is a a common question I receive from students everywhere."
By: L. Diane Johnson
Contributing Editor |
|
|
|
|
"I just returned from participating in the first of it's kind White House Conference on Culture & Diplomacy, which took place on Nov. 28th, 2000, chaired by Secretary of State Madeleine Albright. I still don't know how I came to be invited, nevertheless, it was an incredible experience personally and as an artist."
By: L. Diane Johnson
Contributing Editor |
|
"Today, people ask me how I keep my colors so clean, clear, and free from mud. The answer is, now I am "mud conscious". I can make clear colors when I want to, and mud if I want to. It's called control. Even neutral or broken colors can glow. "
By: L. Diane Johnson
Contributing Editor |
|
This article is the first in a three-part series designed to provide an in-depth overview of the current state of the art & collectibles market online, and where it is heading. This first installment focuses on the overall state of the market, and specifically, what problems exist.
By: Scott Burkett
Editor |
No
Photo
|
While at an art opening in which the artists included a statement with each work, I came to the conclusion that some artists just need to shut-up and let the art speak for itself.
By: Davida Schulman
Contributing Editor |
|
|
Painting speed is a little discussed topic but one which many students think about; "How fast should I paint?", "How come I can't paint faster?", "How can I paint more quickly?" and so on. See what Diane has to say on speed...
By: L. Diane Johnson
Contributing Editor |
 |
Are you one of those artists who is afraid of long periods (meaning weeks) alone in your studio? Do you sign up for every class which promises a new technique or a new approach? Do you suffer from a feeling of low self-esteem and nagging self-doubt when you haven't got a teacher to guide you? You just may be an Art Class Addict.
By: Ann Baldwin
Contributing Editor |
 |
Join Larry as he journeys into the Cornerstone Arts & Music Festival in Bushell, Illinois (2000). Aside from the incredible music played by Larry's son, Larry shares some insights as he taught a few classes and worked some plein air magic!
By: Larry Seiler
Contributing Editor |
 |
"I look up on my wall and see the Li River. It's shrouded in mists, a lone fisherman poles his boat while cormorants wait patiently, he never reaches the shore. It's like a lot of other paintings I saw in China, but this one, I know the artist. We had dinner together."
By: Jack Dillon
Contributing Editor |
 |
Would you like up-to-date information and inspiration to keep the fire going in your artistic career? Wouldn't a helpful and insightful letter from a fellow artist keep the paint flowing? Now you can receive a weekly jump-start to your creative success by tuning in to Robert's Column here at WetCanvas!
By: Robert Genn
Contributing Editor |
 |
What if you could walk and talk with one famous artist? Who would that artist be? For Associate Editor, Phyllis Franklin, that artist is Claude Monet. Join her on her recent journey to Giverny, France: To Walk and Talk with Monet.
By: Phyllis Franklin
Associate Editor |
|
So you want to take an art class? Tips for those who have or are new to taking Art classes. How to go about finding the right class and instructor to meet your needs and goals.
By: L. Diane Johnson
Contributing Editor |
|
Graphic communication for the fine artist. Help for fine artists who want to learn how to plan their marketing materials and secure local design and printing services.
By: L. Diane Johnson
Contributing Editor |
No
Photo
|
Can art be used to teach reading and writing? Yes, according to one educator. Take a look!
By: H.L. Sundstrom
Contributing Editor |
No
Photo
|
Once again the country is enthralled with another art funding controversy, this time at the Brooklyn Museum of Art. Does this exhibit demonstrate artistic freedom or poor taste?
By: J. William Haas
Contributing Editor |
 |
"So Painting is Dead, Again? There has been a lot of controversy over the medium of painting, at least in Canada, where academics have tried to rule it out for today's artist. This is my response."
By: Gregg Simpson
Contributing Editor |
|
Are you preparing to enter a big art fair in your area? Follow Contributing Editor, Ann Baldwin, as she walks you through a day at California's Sausalito Art Fair.
By: Ann Baldwin
Contributing Editor |
|
|
Struggling to create your own presence on the Internet? Growing "webfeet" is never easy! Hear the story of one artist's trials and tribulations.
By: Ann Baldwin
Contributing Editor |
 |
In order to price your art realistically, you must understand and respect how the art business works and how collectors shop and buy. Hear what noted industry expert Alan Bamberger has to say about "Pricing Your Art Realistically".
By: Alan Bamberger,
ArtBusiness.com
San Francisco, CA |
|
|
It was a slow, rainy day at the Sugarloaf Gaithersburg Art Show. I took advantage of it, and talked to one hundred and eleven artists about computers, the Internet and their plans to show their work on the World Wide Web. What I found out was very interesting.
By: Chris Maher
Contributing Editor |
 |
Learning how to document your own artwork can be time consuming and expensive. Having good quality slides of your work, however, is an absolutely essential first step in seeing yourself as a professional artist. Try these photo tips from Sylvia White.
By: Sylvia White,
Career Management Consultant
New York/Los Angeles |
 |
Through a special arrangement with Constance Smith and her team at ArtNetwork, we are proud to bring you an excerpt from their award winning book, Art Marketing 101. This excerpt focuses on working with galleries. |
 |
From somewhere deep inside the cobwebs of an art teacher's brain, Third Eye Mets -metamorpheses, were born. Anita Stewart has been putting common objects through metamorphosis for years. Check it out! |
|
|
Don't Drink the Turpentine!, a short essay on the "rules" of art, by M.C. Poirier, a French/Algonquin artist living and working in Quebec. |
 |
Jan and Adrie Martens, a very talented duo from The Netherlands bring you an exciting and colorful journey into the world of naive art! |
